He can probably tell you the name and number of an agent who makes up for her lack of clout by hard work and cheerful perseverance, who keeps sending him good scripts from "baby writers. This is how you get a good agent. Someone who runs seminars is probably making most of his money giving seminars.
How would you try and find up-and-coming talent if you were that agent. But you have to start somewhere. Go home and read scripts to see if they, and the writers who wrote them, are worth representing, so she can do more of 1 through 5.
She has built up a reputation with them for sending good material, so that if she tells them your script is really good, they'll read the script quickly. Reading blind submissions is just too time consuming and costly.
Subscribe to our FREE email newsletter and download free character development worksheets. A very not-so-successful agent might ask you to pay for postage.
I strongly recommend that you take this leap of faith. Call the WGA and ask who represents those writers. Some of you, I know, hesitate to give away your idea in a cover letter for fear of it being stolen.
If it has a couple of real laughs in one page, they will probably want to read more. You could blanket the field, since multiple submissions are acceptable in Hollywood.
She must think your script is marketable. What makes it possible to survive here is that everything they say is also not entirely true. If an agent asks you for any other payments - reading fees, consultation, or anything else - immediately call the WGA and blow the whistle on them.
The more layers you have to go through to talk to your agent, the more real her agency is. Just make clear that if your agent wants to set up meetings after your script goes out, you'll be able to come to LA for a few weeks.
You won't know when to take the money offered, and when to hold out for more. If you are incredibly lucky, two agents will want to represent your material instead of just one.
That made it easier to get my next agent, who was a step up, and she made it easier to get my next agent, who was another step up, and so on. These "services" make their money from the fees you pay them, not from a commission from the money you make selling your screenplay.
There are agents at WME. To get the name of the hungriest young agent, try calling the agency. The assistant can sometimes move your script from deeply buried to the top of the stack.
Ask him if he can recommend an agent who'd be right for you. There are also a few agents with primarily local practices in Montreal and Vancouver.
Then query the agents of the writers whose careers you want. But you miss the personal elements, factual backstory, and real-world situations that are crucial to understanding agents and persuading them to represent you. If you don't have a representative, they may give you release forms to sign, but they may also just refuse to read your script.
I have been wary of pitching online, since it seems like throwing ideas out onto the net would be asking for them to be stolen. Go to the video store and see if his or her name is on the video jackets of the movies in question.
Agents and Managers mostly do not accept unsolicited queries and will usually either trash a script sent to them that has not been requested or just send it back.
But please understand that securing representation for your writing is not as simple as calling up, sending an email or even mailing your script. But you have to start somewhere. Everything they say about Hollywood is true. A "spec" screenplay is any screenplay the writer wrote without getting paid by a producer to do it.
Any reputable agent or manager does NOT charge you anything upfront for their services. Everything they say about Hollywood is true.
Write the names of the clients down and check their credits on the Net and see if they're successful people. You need to be very familiar with these companies. Keep in mind signing with either of these types of agents is not without value. The Top Screenwriting Contests.
The Academy Nicholl Fellowships in Screenwriting, Austin Screenwriting Competition and PAGE International Screenwriting Awards are the best screenwriting contests because many agents, managers, and executives will read the winning scripts. One of the best resources for finding an agent is the Guide to Literary Agents, which is the bible for finding representation—heck, it helped me find and land my agent.
It features spot-on advice on how to approach querying and has more than agent listings, including what types of books they are looking for, how each one wants you to. Join us for three packed days all about writers and writing.
Meet industry professionals, learn from world-class faculty & keynotes, and connect with a community of writers. US SCREENWRITING AGENTS (A-F) LEGEND (only applies to US agencies) [*] This agency indicated it will consider new writers. [**] This agency indicated it will consider writers ONLY as a result of references from persons.
Literary Representation for Screenwriters Click here for a list of Literary Agents and Literary Managers for Film & Television. But please understand that securing representation for your writing is not as simple as calling up, sending an email or even mailing your script. US SCREENWRITING AGENTS (G-Z) LEGEND (only applies to US agencies) [*] This agency indicated it will consider new writers.
[**] This agency indicated it will consider writers ONLY as a result of references from persons known to it.Scriptwriting agents arizona